Queensland Conservatorium World Music Ensemble |
A Joyful Interlude of Wood on Water The 5th Asia-Pacific Triennial of Contemporary Art Queensland Art Gallery April 14 2007 - Brisbane - Australia Gerardo Dirié, Burmese flute Kieren Alexander, Indian flute Miranda Deutsch, Nepalese reed flute Sonia Filkorn, Nepalese wooden flute Yuri Jo, Balinese suling |
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Footsteps on Sand and Water (approaching Wei Wei's "Pillar Through Round Table") The 5th Asia-Pacific Triennial of Contemporary Art Queensland Art Gallery April 14 2007 - Brisbane - Australia Mei shao sho yue project Kieren Alexander, zheng Gerardo Dirié, cavaquinho Miranda Deutsch, ruan Sonia Filkorn, traverse flute Silke Rottmann, clarinet Ricarda Giegler, violin Yuri Jo, electric guitar |
 Tango Q with baritone Gregory Peatey performing tangos - canciones from the 1940's. Queensland Art Gallery April 14 2007 - Brisbane - Australia |
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Master
Zhang Lingjie illustrates bowing and articulation borrowing from erhu to violin. Queensland Conservatorium, Project Week I 2007 |
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Professor Mou Nan
illustrates timbre and articulations on the Sheng. Students in the ensemble experiment ways to adapt them into other reed instruments. Queensland Conservatorium, Project Week I 2007 |
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Professor Mou Nan in his
awe-inspiring performance of "The Poem of Far Away Grassland" by composer Chen Mingzhi Queensland Conservatorium, Project Week I 2007 |
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Professors Yao Ningxin
(zheng) and Hao Yijun (dizi) demonstrate variations and ornamentations on a traditional tune. Queensland Conservatorium, Project Week I 2007 |
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The joint ensemble
celebrates after an improvised blended performance of a piece from the Shandong musicians' repertoire. Queensland Conservatorium, Project Week I 2007 |
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Professors Yao Ningxin (zheng), and Mou Nan (sheng), and Shandong College of Arts students Sun Chian (pipa) and Lan Xin (liuqin) in an exhilarating demonstration of ensemble practice. Soprano Ms. Whang Shihui, director of the Shandong College of Arts, observes from farther back. Queensland Conservatorium, Project Week I 2007 |
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| Professor Gregory Barrett demonstrating and performing a selection of Khusidl, Freylekhs, and Bulgars. | |
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Students participating in the Klezmer / World Music Ensemble Workshop. Queensland Conservatorium - May 22 2007 |
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| Performing a short set of rural milongas. | Cameron performing Gerry Mulligan part from Piazzolla's Summit. | ||
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| Performing
interlocked and aggregated tunes on Bolivian Tarkas |
Students
improvising on emerging patterns |
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| WME students in a performance on Ugandan Amadinda. |  |
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A small and appreciative audience from Sydney that anchored at the Brisbane port and was touring upriver. | ||
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| Sandy Evans, Tony Lewis and master koto player Satsuki Odamura in a demonstration of composition and improvisation resources derived from South East Asian and Jazz idioms. | Members of Waratah Trio initiating the session with a series of introductory remarks, explanations and brief playing illustrations. | |
| Students of the WME share with Tony Lewis a session on Ugandan Amadinda. Later, Lewis teaches the group a comparable performing technique from Balinese gamelan. Satsuki plays on koto variations of the emerging melodies. |  |
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| Vietnamese Ca Trù and the World Music Ensemble | |
 world music ensemble with guests |
A joint performance celebrating the visit of Thi Hue Pham, Vietnamese master of Ca Trù , playing alongside with Hyelim Kim (Korean Taegum), Dheraj Shrestha (tabla), Gerardo Dirié (Double bass), Leah Barclay (South Indian morsing), and musicians of the World Music Ensemble. |