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17.
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Wars, Eruptions, Harmonies and Disharmonies: A music composition-based exploration of inner dynamics of Dissociative Identity Disorder. (Current) Maggie Bell, PhD Thesis
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16.
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Sounding a history of the guitar in Queensland. (2019). Duncan Gardiner, DMA Thesis
|
15.
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Spoken Lieder: Expanding upon the growing field of music for spoken voice and instrument. (2018). Padraig Parkhurst, MMus Thesis
|
14.
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Mapping, Interpreting and Understanding of symbiotic relationship between the composer and the performer in my collaborative practice. (2019). Michal Rosiak, DMA Thesis
|
13.
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Understanding the Visual Artwork Influences in the Music of Phillip Houghton. (2018). Ian Ahles, Master Thesis
|
12.
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Teaching English Through Music: A Preliminary Investigation. (2017). Jack Jones, BM with Honours Thesis.
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11.
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Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar. (2017). Andrea Vocaturo, DMA.
|
10.
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Composing Contrapuntal Words: Developing an Aesthetics and Practice in Counterpoint in the 21st-century. (2017). Liam Flennady, PhD.
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9.
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Persevere: Musical Harmony after Lacan's Pantheon Period. (2017). Reilly Smethurst, PhD.
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8.
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An
investigation into my composition process: developing a notational
language allowing for situational live music
performance. (2016). Jazmin Leung, BM with Honours Thesis.
|
7.
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Adapting the Music of Argentinean Tango for Wind Quintet: Techniques for Arranging and Performance. (2015). Natalie Jacobs, MMus.
|
6.
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Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion. (2014). Leah Barclay, PhD.
|
5.
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Tango, from Perception to Creation: A pianist's quest to capture the essence of Tango in performance and composition. (2014). Cecile Elton, DMA.
|
4.
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Talking the Intangible: Contemporary Classical Pianists Elusive Aspects of Music-Making. (2013). Kirsty Guster, PhD.
|
3.
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The Pipe Organ and Real-Time Digital Signal Processing. (2011). Andrew Blackburn, DMA.
|
2.
|
Style
and Genre Synthesis in Music Composition: Revealing and Examining the
Craft and Creative Processes in Composing Poly-Genre Music. (2011). Michael Knoppf, DMA.
|
1.
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The 'Inner Voice': Musical Language and Meaning in Clara Wieck-Schumann's Composition. (2010). Diane Meretta Selmon, PhD.
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