GERARDO DIRIÉ





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Research Supervisions





 




12.
Teaching English Through Music: A Preliminary Investigation (2017). Jack Jones, BM with Honours Thesis.

11.
Exploring a Modified Fifths Tuning as a Vehicle for Composition for Jazz Guitar (2017). Andrea Vocaturo, DMA.

10.
Composing Contrapuntal Words: Developing an Aesthetics and Practice in Counterpoint in the 21st-century (2017). Liam Flennady, PhD.

9.
Persevere: Musical Harmony after Lacan's Pantheon Period (2017). Reilly Smethurst, PhD.

8.
An investigation into my composition process: developing a notational language     allowing for situational live music performance (2016). Jazmin Leung, BM with Honours Thesis.

7.
Adapting the Music of Argentinean Tango for Wind Quintet: Techniques for Arranging and Performance (2015). Natalie Jacobs, MMus.

6.
Sonic Ecologies: Environmental Electroacoustic Music Composition in Cultural Immersion (2014). Leah Barclay, PhD.

5.
Tango, from Perception to Creation: A pianist's quest to capture the essence of Tango in performance and composition (2014). Cecile Elton, DMA.

4.
Talking the Intangible: Contemporary Classical Pianists Elusive Aspects of Music-Making (2013). Kirsty Guster, PhD.

3.
The Pipe Organ and Real-Time Digital Signal Processing (2011). Andrew Blackburn, DMA.

2.
Style and Genre Synthesis in Music Composition: Revealing and Examining the Craft and Creative Processes in Composing Poly-Genre Music (2011). Michael Knoppf, DMA.

1.
The 'Inner Voice': Musical Language and Meaning in Clara Wieck-Schumann's Composition (2010). Diane Meretta Selmon, PhD.